International Baccalaureate came to us to create new sub brand for IB Connect, a new internal communication tool for staff to use to improve collaboration, communication and participation. We developed three concepts with the below being chosen as the final mark to take forward. We also designed a promotional poster to advertise the new intranet to IB staff.
Click to view larger image

International Baccalaureate came to us to create new sub brand for IB Connect, a new internal communication tool for staff to use to improve collaboration, communication and participation.

We developed three concepts with the below being chosen as the final mark to take forward.

We also designed a promotional poster to advertise the new intranet to IB staff.

1 year ago  4 notes - Tags: International BaccalaureateworkposternewIB ConnectIntranetBrandingidentity

Chinook Nile Cruises Branding Chinook Nile Cruises is a new company who, by late 2011, will be offering luxury cruises down the Nile in one of their custom built, elegant, Dahabiya sail boats. The vessel will carry approximately 20 guests to some of the true wonders of the ancient world, providing a once in a lifetime experience. Revolting has been working closely with the client and boat designer to create a luxury brand that communicates and will be part of a truly unique and unforgettable experience. The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client. Concept 1 - Sails This mark is based on the two distinctive sails of the Dahabiya. We have taken inspiration from Arabic typography, rendering the sails from two simple calligraphic pen stocks. In keeping with the clean, abstract lines of the mark we have chosen a complementarity, san-serif typeface. Additionally, to reflect the tall, thin strokes we have chosen a condensed weight of the font. Concept 2 - Papyrus Sun This mark uses a shape based on the Dahabiya sails in a repeating pattern. This abstract shape represents the famous papyrus plant growing on the banks of the Nile. It also is indicative of a stylized sunrise/sunset motifs often seen in Art Deco designs inspired by ancient Egypt. We carried this theme across into the type with a subtle, modern take on 1920 typography. We also suggest a reimagining of the traditional typewriter font as corporate typeface. This conjures up notions of Agatha Christie, Jules Verne and elegant luxury. Concept 3 - Arabic Signature Again we are using the distinctive sails in a way that they could also be seen as pyramids, one of the most iconic symbols of Egypt. We have rendered these in a way that allures to the ancient history of the country. We have also incorporated the name of the vessel as rendered in Arabic. To accompany this we have used typeface that mirrors the fluid, hand-drawn feel, of this traditional type. This also gives the feel of a signature, a seal of quality and personal, high quality service. Working closely with the client, listening to their ideas and views, we developed the chosen concept into the final logo above, with a complimentary colour palette and holding page for the website. www.chinook-nile-cruises.com
Click to view larger image

Chinook Nile Cruises Branding

Chinook Nile Cruises is a new company who, by late 2011, will be offering luxury cruises down the Nile in one of their custom built, elegant, Dahabiya sail boats. The vessel will carry approximately 20 guests to some of the true wonders of the ancient world, providing a once in a lifetime experience. Revolting has been working closely with the client and boat designer to create a luxury brand that communicates and will be part of a truly unique and unforgettable experience.

The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client.

Concept 1 - Sails

This mark is based on the two distinctive sails of the Dahabiya. We have taken inspiration from Arabic typography, rendering the sails from two simple calligraphic pen stocks. In keeping with the clean, abstract lines of the mark we have chosen a complementarity, san-serif typeface. Additionally, to reflect the tall, thin strokes we have chosen a condensed weight of the font.

Concept 2 - Papyrus Sun

This mark uses a shape based on the Dahabiya sails in a repeating pattern. This abstract shape represents the famous papyrus plant growing on the banks of the Nile. It also is indicative of a stylized sunrise/sunset motifs often seen in Art Deco designs inspired by ancient Egypt. We carried this theme across into the type with a subtle, modern take on 1920 typography. We also suggest a reimagining of the traditional typewriter font as corporate typeface. This conjures up notions of Agatha Christie, Jules Verne and elegant luxury.

Concept 3 - Arabic Signature

Again we are using the distinctive sails in a way that they could also be seen as pyramids, one of the most iconic symbols of Egypt. We have rendered these in a way that allures to the ancient history of the country. We have also incorporated the name of the vessel as rendered in Arabic. To accompany this we have used typeface that mirrors the fluid, hand-drawn feel, of this traditional type. This also gives the feel of a signature, a seal of quality and personal, high quality service.

Working closely with the client, listening to their ideas and views, we developed the chosen concept into the final logo above, with a complimentary colour palette and holding page for the website. www.chinook-nile-cruises.com

1 year ago  9 notes - Tags: BrandingidentityTypographyworkchinook

After Dark Identity Our local town of Weymouth has a vibrant night-time economy, often attracting large numbers of visitors, particularly at weekends. In recent years there have been falling crime and disorder levels within the town centre, but the Borough Council, Police and other partners wish to seek to reduce levels even further. Therefore, a study has been conducted by Feria Urbanism with recommendations to make the town centre’s evening and night-time economy even safer and a more enjoyable place to be for everybody. Points covered include policing, licensing, health improvements and planning. Revolting worked with Feria Urbanism, Tandem Marketing and Weymouth and Portland Borough Council to develop a visual identity for this project. Pioneers of old would use the constellations to guide them on their journey, After Dark aims to lead the way to a brighter future for the area and its nighttime economy.  People are said to look to the stars for inspiration, After Dark would shape a vision for what we can achieve. We have chosen an icon that this area is famous for, and which also has a range of  metaphors applicable to this project.  The deck chair represents a call for nighttime revellers to relax and have a more laid back approach to their partying. It also invites the people who would normally rush home from work, to stick around to see what the town has to offer.
Click to view larger image

After Dark Identity

Our local town of Weymouth has a vibrant night-time economy, often attracting large numbers of visitors, particularly at weekends.

In recent years there have been falling crime and disorder levels within the town centre, but the Borough Council, Police and other partners wish to seek to reduce levels even further. Therefore, a study has been conducted by Feria Urbanism with recommendations to make the town centre’s evening and night-time economy even safer and a more enjoyable place to be for everybody. Points covered include policing, licensing, health improvements and planning.

Revolting worked with Feria Urbanism, Tandem Marketing and Weymouth and Portland Borough Council to develop a visual identity for this project.

Pioneers of old would use the constellations to guide them on their journey, After Dark aims to lead the way to a brighter future for the area and its nighttime economy. 

People are said to look to the stars for inspiration, After Dark would shape a vision for what we can achieve. We have chosen an icon that this area is famous for, and which also has a range of  metaphors applicable to this project. 

The deck chair represents a call for nighttime revellers to relax and have a more laid back approach to their partying. It also invites the people who would normally rush home from work, to stick around to see what the town has to offer.

1 year ago  - Tags: workidentity

New Revolting business cards.  These business card are a play on one of the common misconceptions to do with our company name, Revolting. Each employee having their face covered by a circle and type suggests that they are revolting to look at, when in fact we are not bad lookers at all. The type is set in our own handwriting typefaces to give each card a personal look/style for the individual. These can be downloaded here. The business cards are printed on a uncoated stock to give a nice tactile feel, if you would like to feel one for yourself, get in touch and we’ll send you a set. Email studio@wearerevolting.co.uk The photographs for each card were taken by Andy Whale of Seven Springs Studios.
Click to view larger image

New Revolting business cards. 

These business card are a play on one of the common misconceptions to do with our company name, Revolting. Each employee having their face covered by a circle and type suggests that they are revolting to look at, when in fact we are not bad lookers at all.

The type is set in our own handwriting typefaces to give each card a personal look/style for the individual. These can be downloaded here.

The business cards are printed on a uncoated stock to give a nice tactile feel, if you would like to feel one for yourself, get in touch and we’ll send you a set. Email studio@wearerevolting.co.uk

The photographs for each card were taken by Andy Whale of Seven Springs Studios.

1 year ago  1 note - Tags: workbusiness cardsrevoltingidentity

Quay School : Identity After successfully winning the pitch to provide an identity and branding for this new specialist school based in Poole, Dorset, we embarked on designing three concepts, one of which was chosen as the new identity of The Quay School. The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client. Concept 1 - Together One aspect that came out of our development was the number of different ways that the letter ‘Q’ can be rendered. We wanted to use this as a metaphor for the different needs that each of the individuals attending the Quay School are going to need, and the extra special education that will be tailored to each of their needs. Here the letter ‘Q’ is made up from several different fonts that, together, make a unique and individual motif. Concept 2 - Waves The symbol of the wave is a great fit with the name of the institution as well as the geographic location of the main building and various satellite campuses. We chose a type face that mirrors this shape in its rendering of the letter ‘Q’. Where possible we suggest that the type in the logo be rendered in metallic silver (on signage for example). Additionally the wave motif can be used independently from the logo. Concept 3 - Pie This mark uses the idea of a pie chart to to illustrate that the facility that this logo represents caters to a particular need in the education system. By pulling the ‘slice of pie’ out from the circle it also creates an abstract ‘Q’ mirroring the first letter of the schools name. Where possible we suggest that the grey areas in the logo be rendered in metallic silver (on signage for example). Concept 4 - Faces This logo would use photography of a selection of students faces as its focus. This would bring the reason for the schools existence, the students, to the forefront. We suggest the use of a variety of faces, for example there would be three or four options of letterhead, a web-site header could select a different face at random from a selection of half a dozen or so options, etc. Where possible we suggest that the gold areas in the logo be rendered in metallic gold (on signage for example). Concept 1 was chosen by the client to use as the logo for The Quay School. We had several meetings with the client, and this concept stood out as one they wished to pursue. Together we decided on a few changes to the colour and logo type, and a final solution was developed. The core typeface used for the logo is CG Bernhardt. To compliment this, a typeface has been chosen for all body type on printed literature. This font is available on all operating systems. For windows users the font family is Lucida Sans and for Macintosh users the font family is Lucida Grande. As well as providing artwork and brand guidelines for the identity, we are currently working alongside the school and a team of architects to provide the design and installation of a sign which will be fixed to the side of the building. In addition to this, we have also provided branded stationery such as letterheads and compliment slips in an electronic format, as well as a pitch for the schools uniform and branded clothing.
Click to view larger image

Quay School : Identity

After successfully winning the pitch to provide an identity and branding for this new specialist school based in Poole, Dorset, we embarked on designing three concepts, one of which was chosen as the new identity of The Quay School.

The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client.

Concept 1 - Together

One aspect that came out of our development was the number of different ways that the letter ‘Q’ can be rendered. We wanted to use this as a metaphor for the different needs that each of the individuals attending the Quay School are going to need, and the extra special education that will be tailored to each of their needs. Here the letter ‘Q’ is made up from several different fonts that, together, make a unique and individual motif.

Concept 2 - Waves

The symbol of the wave is a great fit with the name of the institution as well as the geographic location of the main building and various satellite campuses. We chose a type face that mirrors this shape in its rendering of the letter ‘Q’. Where possible we suggest that the type in the logo be rendered in metallic silver (on signage for example). Additionally the wave motif can be used independently from the logo.

Concept 3 - Pie

This mark uses the idea of a pie chart to to illustrate that the facility that this logo represents caters to a particular need in the education system. By pulling the ‘slice of pie’ out from the circle it also creates an abstract ‘Q’ mirroring the first letter of the schools name. Where possible we suggest that the grey areas in the logo be rendered in metallic silver (on signage for example).

Concept 4 - Faces

This logo would use photography of a selection of students faces as its focus. This would bring the reason for the schools existence, the students, to the forefront. We suggest the use of a variety of faces, for example there would be three or four options of letterhead, a web-site header could select a different face at random from a selection of half a dozen or so options, etc. Where possible we suggest that the gold areas in the logo be rendered in metallic gold (on signage for example).

Concept 1 was chosen by the client to use as the logo for The Quay School.

We had several meetings with the client, and this concept stood out as one they wished to pursue. Together we decided on a few changes to the colour and logo type, and a final solution was developed.

The core typeface used for the logo is CG Bernhardt. To compliment this, a typeface has been chosen for all body type on printed literature. This font is available on all operating systems. For windows users the font family is Lucida Sans and for Macintosh users the font family is Lucida Grande.

As well as providing artwork and brand guidelines for the identity, we are currently working alongside the school and a team of architects to provide the design and installation of a sign which will be fixed to the side of the building. In addition to this, we have also provided branded stationery such as letterheads and compliment slips in an electronic format, as well as a pitch for the schools uniform and branded clothing.

1 year ago  - Tags: BrandingQuay SchoolidentityworkEducation

International Baccalaureate came to us to create new sub brand for IB Connect, a new internal communication tool for staff to use to improve collaboration, communication and participation. We developed three concepts with the below being chosen as the final mark to take forward. We also designed a promotional poster to advertise the new intranet to IB staff.

International Baccalaureate came to us to create new sub brand for IB Connect, a new internal communication tool for staff to use to improve collaboration, communication and participation.

We developed three concepts with the below being chosen as the final mark to take forward.

We also designed a promotional poster to advertise the new intranet to IB staff.

Chinook Nile Cruises Branding Chinook Nile Cruises is a new company who, by late 2011, will be offering luxury cruises down the Nile in one of their custom built, elegant, Dahabiya sail boats. The vessel will carry approximately 20 guests to some of the true wonders of the ancient world, providing a once in a lifetime experience. Revolting has been working closely with the client and boat designer to create a luxury brand that communicates and will be part of a truly unique and unforgettable experience. The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client. Concept 1 - Sails This mark is based on the two distinctive sails of the Dahabiya. We have taken inspiration from Arabic typography, rendering the sails from two simple calligraphic pen stocks. In keeping with the clean, abstract lines of the mark we have chosen a complementarity, san-serif typeface. Additionally, to reflect the tall, thin strokes we have chosen a condensed weight of the font. Concept 2 - Papyrus Sun This mark uses a shape based on the Dahabiya sails in a repeating pattern. This abstract shape represents the famous papyrus plant growing on the banks of the Nile. It also is indicative of a stylized sunrise/sunset motifs often seen in Art Deco designs inspired by ancient Egypt. We carried this theme across into the type with a subtle, modern take on 1920 typography. We also suggest a reimagining of the traditional typewriter font as corporate typeface. This conjures up notions of Agatha Christie, Jules Verne and elegant luxury. Concept 3 - Arabic Signature Again we are using the distinctive sails in a way that they could also be seen as pyramids, one of the most iconic symbols of Egypt. We have rendered these in a way that allures to the ancient history of the country. We have also incorporated the name of the vessel as rendered in Arabic. To accompany this we have used typeface that mirrors the fluid, hand-drawn feel, of this traditional type. This also gives the feel of a signature, a seal of quality and personal, high quality service. Working closely with the client, listening to their ideas and views, we developed the chosen concept into the final logo above, with a complimentary colour palette and holding page for the website. www.chinook-nile-cruises.com

Chinook Nile Cruises Branding

Chinook Nile Cruises is a new company who, by late 2011, will be offering luxury cruises down the Nile in one of their custom built, elegant, Dahabiya sail boats. The vessel will carry approximately 20 guests to some of the true wonders of the ancient world, providing a once in a lifetime experience. Revolting has been working closely with the client and boat designer to create a luxury brand that communicates and will be part of a truly unique and unforgettable experience.

The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client.

Concept 1 - Sails

This mark is based on the two distinctive sails of the Dahabiya. We have taken inspiration from Arabic typography, rendering the sails from two simple calligraphic pen stocks. In keeping with the clean, abstract lines of the mark we have chosen a complementarity, san-serif typeface. Additionally, to reflect the tall, thin strokes we have chosen a condensed weight of the font.

Concept 2 - Papyrus Sun

This mark uses a shape based on the Dahabiya sails in a repeating pattern. This abstract shape represents the famous papyrus plant growing on the banks of the Nile. It also is indicative of a stylized sunrise/sunset motifs often seen in Art Deco designs inspired by ancient Egypt. We carried this theme across into the type with a subtle, modern take on 1920 typography. We also suggest a reimagining of the traditional typewriter font as corporate typeface. This conjures up notions of Agatha Christie, Jules Verne and elegant luxury.

Concept 3 - Arabic Signature

Again we are using the distinctive sails in a way that they could also be seen as pyramids, one of the most iconic symbols of Egypt. We have rendered these in a way that allures to the ancient history of the country. We have also incorporated the name of the vessel as rendered in Arabic. To accompany this we have used typeface that mirrors the fluid, hand-drawn feel, of this traditional type. This also gives the feel of a signature, a seal of quality and personal, high quality service.

Working closely with the client, listening to their ideas and views, we developed the chosen concept into the final logo above, with a complimentary colour palette and holding page for the website. www.chinook-nile-cruises.com

After Dark Identity Our local town of Weymouth has a vibrant night-time economy, often attracting large numbers of visitors, particularly at weekends. In recent years there have been falling crime and disorder levels within the town centre, but the Borough Council, Police and other partners wish to seek to reduce levels even further. Therefore, a study has been conducted by Feria Urbanism with recommendations to make the town centre’s evening and night-time economy even safer and a more enjoyable place to be for everybody. Points covered include policing, licensing, health improvements and planning. Revolting worked with Feria Urbanism, Tandem Marketing and Weymouth and Portland Borough Council to develop a visual identity for this project. Pioneers of old would use the constellations to guide them on their journey, After Dark aims to lead the way to a brighter future for the area and its nighttime economy.  People are said to look to the stars for inspiration, After Dark would shape a vision for what we can achieve. We have chosen an icon that this area is famous for, and which also has a range of  metaphors applicable to this project.  The deck chair represents a call for nighttime revellers to relax and have a more laid back approach to their partying. It also invites the people who would normally rush home from work, to stick around to see what the town has to offer.

After Dark Identity

Our local town of Weymouth has a vibrant night-time economy, often attracting large numbers of visitors, particularly at weekends.

In recent years there have been falling crime and disorder levels within the town centre, but the Borough Council, Police and other partners wish to seek to reduce levels even further. Therefore, a study has been conducted by Feria Urbanism with recommendations to make the town centre’s evening and night-time economy even safer and a more enjoyable place to be for everybody. Points covered include policing, licensing, health improvements and planning.

Revolting worked with Feria Urbanism, Tandem Marketing and Weymouth and Portland Borough Council to develop a visual identity for this project.

Pioneers of old would use the constellations to guide them on their journey, After Dark aims to lead the way to a brighter future for the area and its nighttime economy. 

People are said to look to the stars for inspiration, After Dark would shape a vision for what we can achieve. We have chosen an icon that this area is famous for, and which also has a range of  metaphors applicable to this project. 

The deck chair represents a call for nighttime revellers to relax and have a more laid back approach to their partying. It also invites the people who would normally rush home from work, to stick around to see what the town has to offer.

New Revolting business cards.  These business card are a play on one of the common misconceptions to do with our company name, Revolting. Each employee having their face covered by a circle and type suggests that they are revolting to look at, when in fact we are not bad lookers at all. The type is set in our own handwriting typefaces to give each card a personal look/style for the individual. These can be downloaded here. The business cards are printed on a uncoated stock to give a nice tactile feel, if you would like to feel one for yourself, get in touch and we’ll send you a set. Email studio@wearerevolting.co.uk The photographs for each card were taken by Andy Whale of Seven Springs Studios.

New Revolting business cards. 

These business card are a play on one of the common misconceptions to do with our company name, Revolting. Each employee having their face covered by a circle and type suggests that they are revolting to look at, when in fact we are not bad lookers at all.

The type is set in our own handwriting typefaces to give each card a personal look/style for the individual. These can be downloaded here.

The business cards are printed on a uncoated stock to give a nice tactile feel, if you would like to feel one for yourself, get in touch and we’ll send you a set. Email studio@wearerevolting.co.uk

The photographs for each card were taken by Andy Whale of Seven Springs Studios.

Quay School : Identity After successfully winning the pitch to provide an identity and branding for this new specialist school based in Poole, Dorset, we embarked on designing three concepts, one of which was chosen as the new identity of The Quay School. The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client. Concept 1 - Together One aspect that came out of our development was the number of different ways that the letter ‘Q’ can be rendered. We wanted to use this as a metaphor for the different needs that each of the individuals attending the Quay School are going to need, and the extra special education that will be tailored to each of their needs. Here the letter ‘Q’ is made up from several different fonts that, together, make a unique and individual motif. Concept 2 - Waves The symbol of the wave is a great fit with the name of the institution as well as the geographic location of the main building and various satellite campuses. We chose a type face that mirrors this shape in its rendering of the letter ‘Q’. Where possible we suggest that the type in the logo be rendered in metallic silver (on signage for example). Additionally the wave motif can be used independently from the logo. Concept 3 - Pie This mark uses the idea of a pie chart to to illustrate that the facility that this logo represents caters to a particular need in the education system. By pulling the ‘slice of pie’ out from the circle it also creates an abstract ‘Q’ mirroring the first letter of the schools name. Where possible we suggest that the grey areas in the logo be rendered in metallic silver (on signage for example). Concept 4 - Faces This logo would use photography of a selection of students faces as its focus. This would bring the reason for the schools existence, the students, to the forefront. We suggest the use of a variety of faces, for example there would be three or four options of letterhead, a web-site header could select a different face at random from a selection of half a dozen or so options, etc. Where possible we suggest that the gold areas in the logo be rendered in metallic gold (on signage for example). Concept 1 was chosen by the client to use as the logo for The Quay School. We had several meetings with the client, and this concept stood out as one they wished to pursue. Together we decided on a few changes to the colour and logo type, and a final solution was developed. The core typeface used for the logo is CG Bernhardt. To compliment this, a typeface has been chosen for all body type on printed literature. This font is available on all operating systems. For windows users the font family is Lucida Sans and for Macintosh users the font family is Lucida Grande. As well as providing artwork and brand guidelines for the identity, we are currently working alongside the school and a team of architects to provide the design and installation of a sign which will be fixed to the side of the building. In addition to this, we have also provided branded stationery such as letterheads and compliment slips in an electronic format, as well as a pitch for the schools uniform and branded clothing.

Quay School : Identity

After successfully winning the pitch to provide an identity and branding for this new specialist school based in Poole, Dorset, we embarked on designing three concepts, one of which was chosen as the new identity of The Quay School.

The above designs are our initial ideas for the logo. These are quick concepts that are conceived in Illustrator after having been researched and penned down on paper. The best ideas from this starting stage were developed into four proposed concepts. Below are the final concepts we presented to the client.

Concept 1 - Together

One aspect that came out of our development was the number of different ways that the letter ‘Q’ can be rendered. We wanted to use this as a metaphor for the different needs that each of the individuals attending the Quay School are going to need, and the extra special education that will be tailored to each of their needs. Here the letter ‘Q’ is made up from several different fonts that, together, make a unique and individual motif.

Concept 2 - Waves

The symbol of the wave is a great fit with the name of the institution as well as the geographic location of the main building and various satellite campuses. We chose a type face that mirrors this shape in its rendering of the letter ‘Q’. Where possible we suggest that the type in the logo be rendered in metallic silver (on signage for example). Additionally the wave motif can be used independently from the logo.

Concept 3 - Pie

This mark uses the idea of a pie chart to to illustrate that the facility that this logo represents caters to a particular need in the education system. By pulling the ‘slice of pie’ out from the circle it also creates an abstract ‘Q’ mirroring the first letter of the schools name. Where possible we suggest that the grey areas in the logo be rendered in metallic silver (on signage for example).

Concept 4 - Faces

This logo would use photography of a selection of students faces as its focus. This would bring the reason for the schools existence, the students, to the forefront. We suggest the use of a variety of faces, for example there would be three or four options of letterhead, a web-site header could select a different face at random from a selection of half a dozen or so options, etc. Where possible we suggest that the gold areas in the logo be rendered in metallic gold (on signage for example).

Concept 1 was chosen by the client to use as the logo for The Quay School.

We had several meetings with the client, and this concept stood out as one they wished to pursue. Together we decided on a few changes to the colour and logo type, and a final solution was developed.

The core typeface used for the logo is CG Bernhardt. To compliment this, a typeface has been chosen for all body type on printed literature. This font is available on all operating systems. For windows users the font family is Lucida Sans and for Macintosh users the font family is Lucida Grande.

As well as providing artwork and brand guidelines for the identity, we are currently working alongside the school and a team of architects to provide the design and installation of a sign which will be fixed to the side of the building. In addition to this, we have also provided branded stationery such as letterheads and compliment slips in an electronic format, as well as a pitch for the schools uniform and branded clothing.

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About:

Revolting is a small studio with great big ideas.

Ideas that they realise in the form of branding, brand application, print based communications and creative and cost effective print management.

Some of the best ideas require the help of talented and creative friends. Revolting always look to work with the very best to provide exciting photography, video, audio, copy-writing and web & multimedia solutions.

"Not being able to do everything is no excuse for not doing everything you can."

Revolting specialise in working with Educational, Arts, Charitable and Public Sector organisations. For these clients, as well as for most people in today's climate, there is a great need to make every penny of their budget work for them. With this in mind, Revolting always look for creative ideas that give value for money at the same time as striving to minimise any environmental impact.

Revolting work with you, not for you. They get to know you and help you discover what it is you are trying to say. They then find the right idea to say it, an idea that will get you seen, heard and understood.

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